Keywords
Abstract
This article comparatively analyzes the portrayal of the female psyche, inner experiences, nature, and the divine in the works of the classical Uzbek poetess Nodira and the prominent representative of German Romantic literature, Annette von Droste-Hülshoff. The poetic worlds of both writers harmoniously reflect the symbols of love, patience, spiritual agony, and freedom. The article investigates the artistic self-awareness of the female persona, the system of poetic symbols, and aesthetic views from the perspective of both Eastern and Western literary thought.
References
1. Nodira (Mohlaroyim). Devon (Collected Works). – Tashkent: Fan, 1982.
2. Jo‘raeva, M. Nodira she’riyatida ayollik timsolining badiiy talqini (Artistic Interpretation of the Female Image in Nodira’s Poetry). – Tashkent: TDPU Publishing House, 2017.
3. Droste-Hülshoff, Annette von. Gedichte (Poems). – Stuttgart: Reclam Verlag, 1996.
4. Koepke, Wulf. Annette von Droste-Hülshoff: A Poet between Romanticism and Realism. – Columbia: Camden House, 1987.
5. Karimov, Naim. O‘zbek mumtoz she’riyati tarixidan (From the History of Classical Uzbek Poetry). – Tashkent: Fan, 2005.
6. Fenner, Anna Magdalena. Tradition und Transformation: Weibliche Bilder in der deutschsprachigen Lyrik (Tradition and Transformation: Female Images in German-Language Lyric Poetry). – Berlin: De Gruyter, 2012.