Vol. 2 No. 6 (2025), Articles
Vol. 2 No. 6 (2025)

LITERATURE AND CINEMA: ANALYSIS OF SCREEN ADAPTATIONS OF UZBEK LITERARY WORKS

Articles
Published 2025-12-10
Axmatova Ruxshonaxon Baxtyarovna
Student of Uzbekistan State World Languages University, Faculty of Foreign Language and Literature: English, 1-year student
Rahmonova Sardora Muminjanovna
Uzbekistan State World Languages University Senior Lecturer
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Keywords

cinematography , screen adaptation, Yo‘ldosh A‘zamov, 20th century, aesthetic taste, Tohir Malik, Said Ahmad, Oybek

Abstract

This article analyzes the screen adaptations of some of the most famous works in Uzbek literature. Through the cinematic versions of “O‘tkan kunlar” (Bygone Days), “Mehrobdan chayon” (The Scorpion from the Altar), “Qutlug‘ qon” (Blessed Blood), and “Shaytanat” (The Satanic World), the harmony and distinctions between literary and visual expression are explored.

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References

Qodiriy, A. Days Gone By (O‘tkan kunlar). – Tashkent: G‘afur G‘ulom Literature and Art Publishing House, 1989.

2. Oybek. The Sacred Blood (Qutlug‘ qon). – Tashkent: Sharq Publishing House, 1995.

3. Said Ahmad. Horizon (Ufq). – Tashkent: Yozuvchi Publishing House, 1986.

4. Malik, T. Satanism (Shaytanat). – Tashkent: Sharq Publishing House, 2000.

5. A’zamov, Yo‘ldosh. Film “Days Gone By (O‘tkan kunlar).” – Uzbekfilm Studio, 1969.

6. Materials of the Cinematography Agency of the Republic of Uzbekistan.

7. Google.com