Abstract
This paper examines the construction of cognitive-artistic space in Patrick Rothfuss’s Kingkiller Chronicle through the lens of cognitive poetics, Text World Theory, and possible-worlds narratology. Four interrelated features are identified: naming as a fusion of cognitive linguistics and world-building; the frame narrative as a generator of layered text-worlds; the magic of “sympathy” as a dramatization of mental models; and the motif of silence as a cognitive-poetic structuring device. It is argued that Rothfuss’s artistic space is distinctive because the text reflexively foregrounds cognition itself — naming, belief, attention, and silence function simultaneously as plot mechanisms and as the means by which the reader builds and inhabits the secondary world.
References
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