Keywords
Abstract
Mazkur tezisda jahon adabiy tafakkurida “telba” va “dono” obrazlarining shakllanishi hamda evolyutsiyasi tahlil qilinadi. Xususan, G‘arb va Sharq adabiy an’analarida ushbu obrazlarning falsafiy ildizlari, badiiy talqinlari va funksional xususiyatlari yoritiladi. Migel de Servantes hamda Erkin A’zam ijodi kontekstida telbalik va donolikning estetik hamda ijtimoiy mohiyati qiyosiy tahlil qilinadi.
References
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